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Browsing Unisa Creative Outputs by Title

Browsing Unisa Creative Outputs by Title

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  • Agency of Objects 
    Miller, Gwenneth (Cité internationale des arts, Paris and Gordart Stokvel Gallery, Mellville, 2025-04-02)
    A three-month residency in Europe culminated in an itinerant solo titled “Agency of objects”. The research embraced the challenge to imbue objects with anecdotes and stories that I encountered in the brief visits to Ponte ...
  • AMAHLATHI APHELILE 
    Filita, Sango (https://issuu.com/arttimes/docs/art_times_october_2022_issuu, 2022-10-08)
    This body of work is inspired by how commemoration addresses some of the changes and developments after democracy in South Africa. My work portrays a visual representation of South African heroes who are now commemorated ...
  • Amarhoqololo kaKim 
    Mpako, Nombeko (Norval Foundation gallery in Tokai, Cape Town, 2022-02-09)
    This Series is composed of eight panels of printed tapestries/textiles and further reinterpretation of two of the panels’ subject matter reproducing images that encapsulate the theme of this series, which is self-forgiveness. ...
  • Ancestral Home 
    Devroop, Karendra (2020-12-16)
    Ancestral Home is a CD recording that I released in December 2020. The album was released in digital and physical format internationally and has to date received airplay in over 40 countries. The album has been in rotation ...
  • At the foot of the bed 
    Miller, Gwenneth (2019)
    The small ink sketch formed part of a larger body of work in the exhibition “Enfolding”. The work simply captures the whirlpool of folded sheets at the foot of the hospital bed. The lines and patterns traced the physical ...
  • Black tears and the sea 
    Miller, Gwenneth (2019)
    In the work “Black tears and the sea” (2019), a photograph of an unusually quiet sea on a hazy, grey day, was digitally overlaid with glass drops. The title recalls the idea of dark tears, a murky bodily fluid, as if quoting ...
  • Creatures of Home series 
    Luneburg, Nathani (2020-11)
    Creatures of Home (2020) consists of eight framed pen and ink portrait drawings of my childhood dogs, dressed in human clothing and posing against patterned backgrounds. The backgrounds are drawn digitally with the Photoshop ...
  • Devroop and Prins Duo 
    Devroop, Karendra (2022-09-11)
    The piano and saxophone duo has emerged as a powerful musical combination, demonstrating the evolution of both instruments and their significant role in shaping contemporary music. The piano, dating back several centuries, ...
  • A Dictionary of Arts and Sciences Compiled upon a New Plan – Unisa Staff Exhibition “Uncanny Stories” (2021) 
    Krajewska, Ania (2021)
    The series of artworks, A Dictionary of Arts and Sciences Compiled upon a New Plan interrogates Western epistemology’s overreliance on categorization and reacts against framing and hierarchical approach to the world at ...
  • Domestic Matters 
    Miller, Gwenneth Miller, Gwenneth (Latuvu Art Gallery and George Museum, 2023-07-13)
    “Domestic matters” consisted of eight works presented on two group exhibitions. The works searched for expression of the often-conflictual context through which familial relationships are articulated. The shaped-format ...
  • Dullstroom Dam 
    Miller, Gwenneth
    "Dullstroom Dam" depicts a drained dam, emptied by the owner to restore the structure. Part of his attempt to prevent reeds from taking over, he laid rubber mats at the basin. The repetitive linear patterns of the material ...
  • Dune Whispers 
    Odunayo Orimolade (UNISA Art Gallery, Unisa Muckleneuk Campus, Pretoria, 2022-10-08)
    Dune Whispers was a drawing performance employing the shifting nature which both generates and degenerates earth as a navigational space where change is continuous and re-imaginable. The performance engages the ethereality ...
  • Endangered Horns Ensemble 
    Devroop, Karendra (2021-06-11)
    This creative output submission contains two separate performances with me performing in two ensembles that performed during the 2021 Unisa Virtual Jazz Festival. The festival included some of South Africa’s most high-profile ...
  • Enfolding 
    Miller, Gwenneth (2020)
    The series of artworks formed part of a project, "Enfolding" that researched memory embedded in folds and layers; captured in sites and objects. Painterly marks and stains express the nature of memory to be detailed at ...
  • Folds. Anticipated abundance 
    Miller, Gwenneth (2018)
    "Folds: Assumed Abundance" was inspired by fabrics in Renaissance and Baroque paintings and contemporary Vlisco wax prints. This work commenced with research into the origins of colour pigments and the historical context ...
  • Forest for my Love series 
    Miller, Gwenneth (2020)
    The first section of the ink drawing's title "Forest for my love" originates from the physical site of a park where trees were planted as an act of remembrance. The series of artworks reflect on healing rituals and ethic ...
  • Gazankulu Suite (Piano Trio: Piano, Clarinet and Violin) 
    Mulungo, Bernett Nkwayi (2019-12-07)
    Gazankulu Suite by Bernett Nkwayi Mulungo The writing of this composition, similarly, to the Ndabe-Zitha String Quartet No: 1 written in the same year, was inspired by compositional questions I had during my teaching of ...
  • Gills of other creatures 
    Miller, Gwenneth (Unisa Art Gallery, 2021-12-07)
    The exhibition “Gills of other creatures” set out to visually explore the problem of living with death experience in my own struggle to move beyond mourning. The search developed from a previous exhibition, “Enfolding”, ...
  • Isikhuni Sibuya Nomkhwezele 
    Filita, Sango (2021)
    This body of work Isikhuni Sibuya Nomkhwezele, translated as ‘Burning firewood is managed by the one manning the fire’ is triggered by problems emanating from the COVID-19 pandemic, addressing some of the socio-political ...
  • IZANDLA EZIHLE ZABAZALIKAZI 
    Mpako (Durban University of Technology - Art Gallery, Durban KZN, 2022-09-24)
    The exhibition “Izandla Ezihle Zabazalikazi” meaning “beautiful hands of motherhood” was activism for single parenting motherhood presented through actionism artistic discourse. It sought to present the argument that single ...

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