Abstract:
The works “For Those Who Live by Light” are a part of a research project focused on leaves and their photosynthesis cycles. “Sequence 1 - Chlorophylls and Sequence 2 – Carotenoids” are a continuation and an outcome of the project “Plants Have Poems Inside Them” (2022) and are a visual response to Zoë Schlanger’s book on the life of plants, “The Light Eaters”. Becoming an attentive, keen, and tender observer of leaves and their life processes was the key drive behind this project. Leaves not only tell us their stories of the unstoppable transience states but also connect us to the living world. Their breath-outs are our breath-ins, forming a continuous harmony between the interiority of multitudes of chloroplasts tightly packed under the green protection of the epidermis and the pink, oxygen-dependent epithelial cells of our lungs. Chloroplasts attest to their bond to the vastness of outer space and the energy of our closest star.
While paying attention to our biological environments is crucial for our own self-preservation, the main drive behind the work was the enchantment with the “in-betweenness” and ephemerality of all life forms. Looking at leaves from close-up and anew, photo-documenting different stages of their being and paying attention to the entities usually taken for granted, can bring about an enriching experience and provoke reflections on our own brevity. Light, its multidimensional reflections and refractions, the inner actions of bursts of energy, and the temporal states and processes occurring continuously in plants were approached as joyous and wondrous events.
That the present atmosphere is rich in oxygen is the result of 2.7 billion years of photosynthetic processes initiated by the first unicellular organisms, such as cyanobacteria, which consistently released oxygen into Earth’s atmosphere as a by-product of converting carbon dioxide and sunlight into energy (Lane 2003). Artists like Joe Davis unfold the drama of these life-giving photosynthetic processes and pay tribute to “lower” life forms in “RuBisCo Stars” (2009), by sending chemical formulae of chloroplast enzymes191 essential for photosynthesis as radio signals into the cosmos to be the ambassadors of life on our planet, attesting to the non-human part of ecology.
My conceptual and creative strategies were based on research into the signification of colour in photosynthesis as well as exploration of light refractions. Photo documentation of leaves and their different stages of chlorophylls, carotenoids, and anthocyanins transmutations served as insights into these biological pigments. Each pigment plays a distinct role in light-harvesting and signals how plants absorb light, survive environmental stress, and display vivid colours. Experiments with the refraction of light led to the choice of thick Perspex slabs used as prisms to disperse images of leaves into cell-like visual formations. The intention was to present a multifaceted and complex narrative about inner events in the lives of leaves.
The questions I raise are environmentally ethical in the sense that Antonio Damasio (2003:171), the behavioural biologist and neuroscientist, adumbrated: “The biological reality of self-preservation leads to virtue because in our inalienable need to maintain ourselves, we must, of necessity, help preserve other selves. If we fail to do so, we perish and are thus violating the foundational principle and relinquishing the virtue that lies in self-preservation. The secondary foundation of virtue is the reality of a social structure and the presence of other living organisms in a complex system of interdependence with our own organism.”
In other words, engaging with preservation and paying careful attention to our biological environments is crucial for our own self-preservation. However, while ethical and mindful living is pivotal to “For Those Who Live by Light”, the works were also driven by the magic of the “in-betweenness” and transience of light and all life forms. I aimed to contribute to and facilitate socio-cultural reflections on the biology of ecological environments, and to share views on the ephemerality and fragility of all life forms.
Description:
Installation of works.
The works were part of the “Proximity” Exhibition at the Unisa Art Gallery, 14-30 September 2024. The show was a prominent group exhibition featuring a diverse collection of research and creative projects by academic staff members from the University of South Africa.