| dc.description.abstract |
This study recontextualises Batswana Lekgapho wall and floor decorative
homestead patterns within the contemporary art practice of Botswana. It
tracks their original meaning using a genealogical approach towards archiving
this traditional art form, in order to place it in the contemporary artistic realm.
The term lekgapho is used widely to refer to traditional wall decorations of huts;
lelapa is a walled courtyard that provides a frontage to one or more houses in
a household that serve several purposes, such as a meeting place for family
members or a space for external events such as weddings. In Tswana culture,
lekgapho is a decoration which shows a woman’s ability to creatively beautify
her homestead, similar to wall decorations in some parts of Africa. Even
though lekgapho practice is regarded as nearing extinction because of modern
architecture, there are still women in Botswana who practise the traditional art
form in rural areas. The study is framed through genealogical and cultural
reappropriation, archival theory and provenance approaches. It articulates
lekgapho’s evolution while exploring its symbolic and cultural significance for
its practitioners and their communities towards archiving and preserving it as
Botswana tradition and a worthy cultural heritage for future generations.
Narrative inquiry and desktop research were conducted, and first-hand
information was collected through interviews and photographs. A key finding
is that the practitioners believe that they are the last surviving artists of this art
form in Botswana. This revelation is a call to action to preserve the art form
for future generations. The study contributes to knowledge through
preservation of lekgapho motifs, especially through the Re a Kgapha exhibition
where viewers reimagined the designs outside of their original settings. This
was achieved through a body of artworks, including paintings, photographs,
ceramic tiles and a video installation, inspired by lekgapho. |
en |