dc.contributor.advisor |
Reid, D. J.
|
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dc.contributor.author |
Kriek, Elizabeth Margaretha
|
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dc.date.accessioned |
2015-01-23T04:24:54Z |
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dc.date.available |
2015-01-23T04:24:54Z |
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dc.date.issued |
1995-11 |
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dc.identifier.citation |
Kriek, Elizabeth Margaretha (1995) Die simfonie in Suid-Afrika, 1970-1990 : 'n styl en struktuurstudie, University of South Africa, Pretoria, <http://hdl.handle.net/10500/17130> |
en |
dc.identifier.uri |
http://hdl.handle.net/10500/17130 |
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dc.description |
Text in Afrikaans |
en |
dc.format.extent |
1 online resource (ix, 467 leaves) |
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dc.language.iso |
af |
af |
dc.subject |
Symphony |
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dc.subject |
Structure |
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dc.subject |
Style |
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dc.subject |
Analysis |
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dc.subject |
Theme |
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dc.subject |
Motive |
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dc.subject |
Melody |
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dc.subject |
Harmony |
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dc.subject |
Rhythm |
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dc.subject |
Form |
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dc.subject |
Texture |
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dc.subject |
Orchestration |
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dc.subject |
Evalation |
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dc.subject |
Comparative |
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dc.subject |
South African |
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dc.subject.ddc |
785.110968 |
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dc.subject.lcsh |
Music -- South Africa -- 20th century -- History and criticism |
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dc.subject.lcsh |
Symphony -- South Africa -- 20th century |
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dc.subject.lcsh |
Symphony -- South Africa -- Analysis |
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dc.title |
Die simfonie in Suid-Afrika, 1970-1990 : 'n styl en struktuurstudie |
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dc.type |
Thesis |
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dc.description.department |
Art History, Visual Arts and Musicology |
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dc.description.degree |
D.Mus. (Musiekwetenskap) |
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dcterms.abstract |
In hierdie proefskrif, word sestien simfoniee, wat gedurende die periode 1970-1990 in SuidAfrika
gekomponeer is, ontleed. Klem word op motief- en tematiese- gebruike, melodie,
harmonie, ritme, vorm, tekstuur en orkestrasie gele. Stylkenmerke word ge'identifiseer, die
werke word geevalueer en daarna onderling vergelyk.
Die vrae wat oor hierdie werke nagevors is:
is daar sprake van 'n eie nasionale styl?
watter invloede speel 'n belangrike rol en is daar enige Afrika-elemente te bespeur?
wat is die struktuur- en styl- kenmerke van elke werk?
in watter mate is daar deur middel van die simfonie 'n bydrae gel ewer tot die
ontwikkeling van kontemporere musiek?
hoe het die komponiste tred gehou met wereldtendense, ten spyte van 'n lang tydperk
van isolasie op politieke en ander gebiede?
by Watter gehore sal die musiek aanklank vind, indien wel?
hoe uitvoerbaar is die werke ten opsigte van tegniese vereistes, lengte en musikale
inhoud?
vir watter tipe orkeste is die werke geskik?
Teen die agtergrond van prosedures van ontleding wat deur erkende outoriteite op die
gebied gevolg en in die bibliografie opgeneem is, is 'n standaard prosedure van ontleding
gevolg.
Die semantiese beginsel het gegeld vir die keuring van die simfoniee; die woord
simfonie/simfonia/simfonietta/sinfonia/sinfonietta moet in die titel van die werk verskyn.
Die bespreekte werke is,deur gebore Suid-Afrikaners of buitelanders wat gedurende 'n
tydperk van verblyf in Suid-Afrika die simfonie gekomponeer het, gekomponeer.
Twaalf korilponiste het 'n bydrae gelewer tot die sestien relevante simfoniee wat in
chronologiese volgorde bespreek is:
1971: Carl A van Wyk
1972: Malcolm Forsyth
1973: Peter JL Klatzow; Allan Stephenson; Carl A van Wyk
vi
1975:
1976:
1977:
1978:
1979:
1984:
1986:
1987:
Allan Stephenson
Hans Roosenschoon
Gideon Fagan
Graham Newcater
John R Coulter; Allan Stephenson; Arthur Wegelin
Petrus Krige
Pieter W Smit
Allan Stephenson; Christopher L James |
af |
dcterms.abstract |
In this thesis sixteen symphonies composed in South Africa during the period 1970-1990,
are analyzed with regard to motivic and thematic uses, melody, harmony, rhythm, form,
texture and orchestration. Style characteristics are identified, the works evaluated and a
comparative study undertaken.
The following questions received consideration:
has a national style been established?
are there any significant influences especially African elements?
what are the structural and stylistic characteristics of each symphony?
does the symphony as a form or procedure contribute towards the development
of contemporary music?
did the period of isolation, politically or otherwise, have an influence on the
composers compared to world-wide tendencies?
to what audiences do the works appeal, if at all?
what are the technical requirements, length, and musical content of these
works?
what orchestra is required for a performance?
A standard procedure of analysis is followed against the background of analytic procedures
employed by authorities listed in the bibliography
Th.e symphonies are selected on a semantic basis; the word symphony/simfonia/
simfonietta/sinfonia/sinfonietta should form part of the title. The relevant works had to be
composed either by composers born in South Africa or composers of other nationalities
who wrote their symphony(ies) during their stay in South Africa.
Twelve composers contributed towards the sixteen works which are discussed in
chronological order:
1971: Carl A. van Wyk
1972: Malcolm Forsyth
1973:
1975:
Peter JL Klatzow; Allan Stephenson; Carl A van Wyk
Allan Stephenson
viii
1976:
1977:
1978:
1979:
1984:
1986:
1987:
Hans Roosenschoon
Gideon Fagan
Graham Newcater
John R. Coulter; Allan Stephenson; Arthur Wegelin
Petrus Krige
Pieter W. Smit
Allan Stephenson; Christopher L. James |
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